STAGE AND POWER REQUIREMENTS:
Stage:The Worx requires a stage area sufficient in size to accommodate stage gear and performance- a minimum of 20’ depth x 25’ wide x 2’ height. Two risers for Drums and Keyboards - 8' wide x 8' deep x 2' in height.
The Worx requires a space 8’ deep x 10’ wide for front of house sound equipment, no less than 40’ and no more than 100’ from the front of stage and as close to center of the house as possible.
The Worx promotional crew requires a space 8' wide by 6' deep in a location that crew may choose to meet their satisfaction within reasonable means.
Power:(1) The Worx require 100 amp - 220 service. two hook ups within 20’ from the stage in the form of
two - 3 prong range sockets
(NEMA 10-50R - 50 AMP 125/250 Volt 3-wire/None Grounded) with a separate earth ground OR
two - 4 prong Range Sockets (
NEMA 14-50R - 50 AMP 125/250 Volt 3-Pole/4 Wire Grounded ).
(2) If that isn't possible, a 100 amp rated, disconnect box OR two 50 amp disconnect boxes to hard wire in tails.
(3) If that isn't possible, two open 50 amp breakers to hard wire in tails
Any damages due to power surges, improper power voltage, or bad house wiring is purchaser or house responsibility. In the case there is not a house electrician, The Worx are not , in any way, liable for any damages or fines.
ADDITIONAL CONDITIONS:
No performance on the engagement shall be recorded, reproduced, or transmitted from the place of performance, in any manner or by any means whatsoever, in the absence of a specific written agreement with the Worx relating to and permitting such recording, reproduction, or transmission.
Outdoor events:The Worx compensation is in no way affected by inclement weather. The Worx require a 70% deposit of total contracted amount for any outdoor event. Cancellation of event due to weather forfeits deposit. Cancellation of event after departure of crew or musicians in route to the event, forfeits total amount of contract.
Worx equipment will be set up once......in the case the event is moved indoors, the artists are not liable to reset up indoors. Such a move will cost a minimum of $ 800.00.
Artists require protection from the elements; Sun, wind and rain. The Worx require the stage as well as the front of house Equipment covered by tent, Hard roof, Etc.
In the event of cold weather, Purchaser will supply Kerosene forced air heaters sufficient enough to maintain stage temperature above 65 degrees. The Worx reserve the right, in good faith, to stop or cancel said performance should the weather pose a potential danger to the artists, audience, or crew. Every effort will be made to continue the performance; however, safety is paramount in all decisions.
Outdoor events with out fixed , permanent restroom facilities for the public and Port-a-johns are used.
The Worx require a Port-a-john back stage or within a close proximity by the stage for band, crew and band guest only. Due to limited time during breaks, It is for the Bands convenience and not to be used by the general public.
Decibel Level:The Worx performs at 100 - 115 db, depending on venue and crowd size. Sound technician for the Worx has absolute control and sole right to decide what level, within noise ordinance by law, is best suited for the venue .
Accommodations:
When accommodations are negotiated into a contract, the Worx require 4 double (minimum 3 star rated) hotel rooms which must be available upon arrival of crew or musicians.
Security:Purchaser is responsible for the personal security and protection of the Worx while on stage performing or in the venue property during the event. Purchaser shall be liable for any damages or losses to Worx’, or any of the sub-contractors’ instruments and equipment.. This includes any damages by flood or fire or theft caused by purchasers guest, members of his/ her organization, employee’s, or any other party in attendance whether invited or not.
WORX GEAR
Backline:
Rob Campbell - Guitar
Fender FMT HH Custom Telecaster
Squier 51
Fender cyber Twin amp
Electar pedal board
Boss CS-3 Compressor
Boss NS-2 noise supressor
Boss HR-2 harmonist
Boss AW-2 auto wah
Boss DD-5 digital delay
Art midi controller
Line 6 expression pedal
Korg DTR-2 digital tuner
Shure wireless
Ernie Ball volume pedal
Shure E-3 In ear monitors
Todd Cooper - Drums ( Left Handed) - todd@theworxband.comLudwig - Accent Series
26" kick
13" rack tom
16" floor tom
18" floor tom
14" x 6.5"
Ludwig Supra-Phonic Snare14" x 6.5" Slingerland vintage snare
Double Left Footed Axis pedals
Double Left footed tama iron cobra kick pedals (back up)
Remo Coated Ambassador Tom
heads
Remo Coated Ambassador snare heads
Remo Pinstripe Bass Drum
Promark natural hickory, nylon tipped 5B drum sticks
Ziljian 14" new beat hats
18" Paiste crash
19" Paiste crash
22" Ziljian K ride
24" Ziljian mega bell ride
Monitoring:
Shure E-5 In ear Monitor system
Quad compressor
Quad Gate
2 - 31 band EQs
2 - 15 band Ashley EQs
Current Microphone selection:
Kick-Audix D6
Snare - Shure Beta 57
High Hat - Shure KSM-137
Mounted and floor toms- Audix D2 and Audix D4
Overhead mics -
Justin Tolley - Bass
Warwick Corvette Custom 5 string bass
Mesa-Boogie Scout Combo
Shure600 in-ear monitor system, E-5 buds
Steve Prusak - Keyboards
Roland A-90
Roland Fantom XS 88
Yamaha EX-5
Hammond XK-2
Ventilator Leslie simulator
2 Ernie ball stereo Volume Pedals
Shure E-4 in ear monitors
Jerry Wimmer - guitar
Takemine Accoustic
Parker fly guitar
Line 6 - pod
WORX AUDIO SYSTEM
Front of House:
Soundcraft GB432 Console In Case
21 Space Shock Mounted Effects Rack
TC Electronic M-One Effects Processors
Delta Lab 1024 Vintage Digital Delay
Ashly 3102 Dual 31 Band Equalizer
DBX Driverack 260 Processor
Behringer Multi Com Pro 4 Channel Compressor
Behringer Mult Com Vintage 4 Channel Compressor
Samson 4 Channel Gate
3 Spack Rack Drawer
Furman PL8Plus Power Conditioner
Racklights
Tascam DRRW900 CD Player Recorder
Whirlwind 24x8 Snake
Stacks and Racks:2 -Merlyn S2 Mid/ Hi Enclosure
2 -JBL Bi Radial Horns w/ BNC 2" Drivers
4 -Merlyn T3B Subwoofer
(All enclosures are loaded with Eminence pro audio Speakers)
Amp rack: JBL 260 DSP
Crest FA901 Amplifier
QSC PL236
2 -QSC PL4.0
Monitor system:
5- EV 1202 Bi Amped floor monitors
( loaded with Eminence Pro audio Speakers & Drivers)
Sound Craft Monitor 2/32 console with rack power supply
3 - Ashly MQX series 1/3 Octave EQ's
3 TDM Crossovers
1 - Yamaha P 5000 Power amp
2 -Yamaha P 7000 Power amps
3 - Shure Psm 600 wireless in ear wireless units
Microphones
Vocal :
Jerry - Audix OM-7 on a sennheiser wireless system
Rob - Audix OM-5
Steve - Audix OM-7
Justin- Audix OM-5
Equipment mic's:Rob Guitar Amp - Sennheiser E906
Kick - Audix E 6 or Beyer M88
Snare - Shure Beta 57
Rack 1 - Audix D2
Rack 2 - Audix D2
Floor - Beyer M201
Hi Hat - Shure KSM-137
Overheads - Audio technica
Downstage lighting:2 racks with 4 Par 64's with NSI Dimmer packs on 12' stands.
2 racks with 6 Par 56's with NSI Dimmer packs on 16' crank stands.
Upstage lighting:3 - 10' x 1' Square Aluminum sections ( 30' total) That flies out on 3 -1/4 ton motors
Each 10' section contains -2 par 64's, 6 par 56's , and 6 par 36's with 2 NSI dimmer packs per section.
total of 42 pars.
